Feature film shot on D90 also called Reverie?
The D90 far surpasses the full frame Canon EOS 5D Mark II, the Panasonic Lumix DMC-GH1, and even Red’s Scarlet.
A controversial, nay, inflammatory statement. I’m not sure I’m willing to take it seriously, considering the man is also the producer and sound editor for the film (his second).
An actual cinematographer would appreciate the D90, but would find it utterly unfit for actual shooting, considering its limitations. At the very least, even if they found it impressive, they would refrain from such statements as this above. Whether it’s better for some things than the 5D Mk II is a judgment call and the DMC-GH1 is a given, but the Scarlet? Is this guy on crack?
For reasons we have discussed, current DSLRs are pretty much unsuitable for serious filmmaking. If this movie isn’t a joke to begin with (and I think that it is), then it’s a joke of a movie.
[via Nikon Rumors]