October 28th, 2009

Live From Hollywood: Google's Music Onebox Launches, Powered By MySpace And Lala

I’m here at Capitol Records in Hollywood, California for a special media event where Lala, MySpace, iLike, Google and others are officially announcing the launch of Google’s Music Onebox — a special new kind of Google search result that will let you instantly stream songs directly from Google’s results page. We first broke the news of the feature’s impending launch last week, though none of the companies involved have been willing to comment on it until now.

Here’s how the new feature will work: Onebox will let users stream songs directly from Google’s search result page, and will also include additional content like tour information and music videos (the actual content shown will vary depending on the partner — more on that later). Enter a query for “Use Somebody”, and you’re going to see a small ‘play’ button in your search result that lets you stream the Kings of Leon song in its entirety, or buy the song. Clicking on the play button will bring up a small browser window that will immediately start streaming your song. → Read More

April 22nd, 2008

Sony Buys Gracenote for $260M

Sony has agreed to acquire Gracenote for about $260M. Gracenote provides a range of music-related solutions including MusicID, which detects which song is currently being played by an application and loads track information for the user (such as artist and album names). MusicID leverages a database of over 6M CDs and 80M tracks. Its technology has been in development since 1995 (previously under the name CDDB). Consumer music app services such as Apple iTunes, Yahoo! Music Jukebox, and Winamp use Gracenote for their music detection capabilities. Gracenote will continue to operate separately from Sony after the deal is closed, which will probably happen in late May. Senior management will stay on. CrunchBase Information Gracenote Information provided by CrunchBase → Read More

August 17th, 2007

Lyrics Websites Strike Sour Note With Songwriters

We’ve all been there, searching for the words to Weezer’s My Name is Jonas because you can’t tell if Rivers Cuomo says “just like Grandma made when we couldn’t find something to eat” or “just like Grandma made when we couldn’t find sleep”. I see it all the time, it’s an epidemic. → Read More

August 8th, 2007

The Future Of Copyright Protection Is Here And It Costs $11 An Hour

It’s no secret that video sites like YouTube benefited from added traffic generated by hosting copyrighted content. But as these sites get acquired, integrate advertising, or just want to avoid a billion dollar lawsuit, they seek to shed their seedy past to stay kosher with the big media giants they hope will feed them content and advertising dollars. There are a lot of startups offering technological means of keeping their noses clean. Most of the solutions function as digital detectives, comparing the video fingerprints of copyrighted content with uploaded content for a match. Some of these companies include Audible Magic, Advestigo, Gracenote, MotionDSP, Philips, and iPharo. YouTube has implemented Audible Magic, although I haven’t noticed a difference. MySpace also incorporated Audible Magic but took the added step of banning re-uploading content violating copyright (“Take Down Stay Down” initiative).   http://services.brightcove.com/services/viewer/federated_f8/452319854 However, while computers are great for solving well defined problems at a dizzying pace, they don’t always do that well when the rules become murkier. Judgments need to be made about whether playing a song or video constitutes “fair use” and simply changing a few characters of the title can fool more basic filters. That’s why 5-year-old BayTSP has decided to keep humans in the loop. The WSJ takes an in depth look at the company. The Journal reports that BayTSP has hired more than 20 “Video Analysts” to watch videos and report copyrighted content starting at $11 an hour. Their searches are helped by BayTSP’s software, which most likely gives them a head start on what to look for. The company’s most notable client is Viacom, which it supplied with the data for their 100,000 video DMCA takedown request last year. Viacom says it pays BayTSP more than $100,000 each month for the service. The takedown requests have resulted in over 230,000 clips being removed from YouTube for Viacom. BayTSP says its error rate on Web videos is only around 0.1%. Despite these efforts, video piracy remains rampant both on Google video search and many other social video sites. Once content is taken down, some users simply re-upload them to the site. MySpace is apparently countering this behavior through a file blacklist, but other video providers are certainly concerned with pushing away potentially valuable content and users. Content providers have continually leaned on the heavily manual DMCA safe harbor clause, while copyright holders clamor for embedded filtering. Google has → Read More

June 14th, 2007

Gracenote Mobile Music 2.0 Tries To Make Music-Playing Cellphones Not Suck

Music-playing cellphones were supposed to have “arrived” by now, but few companies have actually gotten them right so far. (That could be the wireless providers’ fault, though.) So Gracenote, the company that runs the CDDB database that iTunes checks every time you insert an audio CD, has come up with the Mobile Music 2.0 Platform. I know, the name could use some work. MM2 links cellphones, PCs and online music stores in an attempt to streamline the whole process of using a cellphone as a competent music-playing device. Or, simply, it makes music-playing cellphones better. Well, at least it should. → Read More

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