• January 10th, 2012

    After Netflix, Roku's streaming players arrive in the UK, Ireland (starting at £49.99)

    One day after Netflix made its debut in the UK and Ireland, Roku has announced that two of its streaming players, the Roku LT and the Roku 2 XS, are heading to Britain too and are already available for pre-order on Amazon.

    The Roku LT, which is billed as the lowest-cost option for streaming video and music directly to a TV, over Wi-Fi and without a PC, retails at £49.99. The Roku 2 XS, which adds casual games like Angry Birds to the offering and also sports an Ethernet, a MicroSD and a USB port, costs £99.99. → Read More

    January 10th, 2012

    After Netflix, Roku’s streaming players arrive in the UK, Ireland (starting at £49.99)

    One day after Netflix made its debut in the UK and Ireland, Roku has announced that two of its streaming players, the Roku LT and the Roku 2 XS, are heading to Britain too and are already available for pre-order on Amazon.

    The Roku LT, which is billed as the lowest-cost option for streaming video and music directly to a TV, over Wi-Fi and without a PC, retails at £49.99. The Roku 2 XS, which adds casual games like Angry Birds to the offering and also sports an Ethernet, a MicroSD and a USB port, costs £99.99. → Read More

    February 7th, 2010

    How To Make Money In Online Video

    Editor’s note: This is the fourth in a series of posts on the state of online video by guest writer Ashkan Karbasfrooshan. He is the founder and CEO of WatchMojo.

    In Search of Profits

    Ten years ago, web companies didn’t generate much revenue.   These days, web companies are some of the most profitable around.  Online video is where the Web was ten years ago: in investment mode as video companies that are generating high revenue are not necessarily the most profitable. Are those companies suffering low margins because they’re investing in the future or are they fundamentally lower-margin businesses? → Read More

    November 24th, 2008

    Sony's Crackle going to try its hand at original online content

    Sony is set to announce a re-launch of video entertainment network site Crackle today, with a roll-out of a number of new web shows including sketches by L.A. comedy troupe “The Groundlings”, a video game show called “The Jace Hall Show” and a five-minute talk show dubbed “Anytime with Bob Kushell” hosted by a Hollywood writer. Read more… → Read More

    November 24th, 2008

    Sony's Crackle Adding Web Shows, More Professional Content Comes Directly To The Web

    Sony is set to announce a re-launch of video entertainment network site Crackle today, with a roll-out of a number of new web shows including sketches by L.A. comedy troupe “The Groundlings”, a video game show called “The Jace Hall Show” and a five-minute talk show dubbed “Anytime with Bob Kushell” hosted by a Hollywood writer.

    Sony’s media business, Sony Pictures Entertainment, will be using the types of production techniques that it puts into movies and TV to resemble other online programming by staying short, often no more than five minutes long, reports Reuters. Crackle’s season begins December 1. → Read More

    June 5th, 2008

    Sony's new Bravia HDTVs can now get YouTube, among others

    Sony’s new HDTVs have another feature you’re not going to find on many other models: YouTube. Using the optional Internet Video Link, users can browse and view almost all of the content on YouTube with their remote. YouTube isn’t the only vieo content available, with other providers like AOL, Sports Illustrated, Comcast’s FEARnet and many others contributing. Another channel available is a custom version of Crackle, an internet video blogging portal Devin and I covered at CES, where we interviewed its number one charmer Penn from Penn and Teller. Even if your cable gets turned off, if you have Internet access, at least there’s always something on. Still want more info? → Read More

    January 9th, 2008

    CES 2008 Exclusive: CrunchGear interviews Penn Jillette about Crackle.com, Mormons, and his choices in technology

    Penn Jillette, the long-haired half of Penn & Teller, is a quiet, sincere, restrained man. He’s known for his controversial thoughts on all manner of things, from politics to religion to the colorblind. Sony has launched a new video site called Crackle and has Jillette as a featured video blogger. The idea is that Jillette will “live blog” his life with the four HD camcorders Sony has provided him with, and he’ll post these clips, unedited, to the site. he’s got a handful up now, which you can check out at Penn Says, and his goal is four a week. We hope he can make it. After Sony’s announcement, where Penn swallowed a bean and then worked it into his nasal passages and then expunged it via his right eye socket (really), talked about Mormons and their “magical underwear”, and having sex with a nun while a prominent Democratic presidential nominee wathces, we were allowed a couple of minutes to sit with Penn and Crackle’s Senior VP of marketing, Jonathan Shambroom. They were gracious and friendly, and totally NSFW. He started by trashing that other site. It was awesome. → Read More

    January 9th, 2008

    Penn Jillette teaming up with Crackle.com to vlog himself

    After being treated to an interminable 10-minute Sony ad, some guys from the original video site Crackle announced some new shows they were picking up, and then handed it over to Penn of Penn & Teller to explain his bit. It seems they’ve outfitted Penn with a bunch of HD camcorders which he’ll keep around his house and work, and pick one up basically whenever he feels the urge to expound on things he hates, things he loves, or just to do a weird trick like putting a bean in his mouth and snorting it out his nose. It’s called Penn Says and it’ll have “at least” four shows a week. Now, to be honest, the idea of the outspoken and frequently obscene star teaming up with a Sony media factory seems pretty weird, but we talked with Penn afterwards (look for the interview in a few minutes) and he thought it was a pretty good deal. I haven’t watched any episodes yet, but he’s an entertaining dude and I may just make a habit of checking his little vlog out. It just went live today, so go check it out and let us all know how it is. Penn Says @ Crackle → Read More

    November 8th, 2007

    GotCast (Beta) Is Looking For Talent

    With the Hollywood writer’ strike in full swing, the TV networks are about to green light a lot more reality TV shows and other non-scripted programs. Wil Schroter, a serial entrepreneur in Columbus, Ohio wants to help fill those shows through GotCast (he is also CEO of GoBig Network, a Craigslist for startups and investors). GotCast launched quietly in beta on October 1, and is built specifically for online casting calls. Schroter estimates there are 15,000 roles being cast at any given time by about 400 studios and networks, and 85 percent of those are for non-scripted parts. Yet the casting industry today, says Schroter, “is built for scripted talent,” not the everyday Joes and Suzies required to make reality TV believable. “Casting directors are going to YouTube and MySpace to find this talent,” says Schroter, “but there is not an organized way to do it.” That’s why he built GotCast specifically to find and surface talent for shows, both on TV and in emerging mediums like cell phones and the Web. Casting directors and talent agents can set up casting calls, and aspiring actors can upload images and videos of themselves onto a profile page, along with a bio and crucial stats like age, height, and weight. Anyone who visits the site can sign up to vote other members up or down. The top ten for each casting then go to a group of judges made up of real talent agents and casting directors. The finalist is flown to Hollywood for a shot at the part. The site is all about self-promotion. You are encouraged to recruit your friends to vote for you through blast e-mails, and posting GotCast widgets on your MySpace or Facebook pages, or uploading your video to YouTube. Schroter’s business plan calls for 250 castings the first year, which he hopes will attract five million registered users (1.25 million contestants and 3.75 million voters). He thinks he can get that up to 750 castings by 2010 and attract 30 million registered users (7.5 million contestants and 22.5 million voters). He might have stars in his own eyes there. As I said, these are the numbers in the business plan, so they don’t mean anything. But it does illuminate the business logic behind the site, even if the actual numbers come in to be much less. The two casting calls on the site right now are → Read More

    October 10th, 2007

    Happy 1st Anniversary YouTube and Google; Now Move Over a Bit

    Time for another roundup, and this one coincides with a notable first-year anniversary: that of Google’s $1.65 billion acquisition of YouTube, confirmed on October 9th, 2006. Since then, the name “YouTube” has become virtually synonymous with “online video sharing”. According to Comscore, the website maintains a sizable lead over competitors with 205,593,000 unique visitors per month. Second-place Yahoo Video trails with 48,026,000 visitors. But must YouTube remain the clear winner in the online video space? While they have certainly captured the largest audience – which may in the end be all they had needed to do to secure their position – we shouldn’t underestimate the many other companies vying for mindshare. Even if YouTube remains the destination of choice for the vast majority of consumers, producers ought to take a serious look at the alternative services. They often support more file types, bigger uploads, and higher resolutions. They also place fewer restrictions and provide an array of features simply overlooked by YouTube. That said, a few of these services are mere YouTube clones and hope to follow in YouTube’s footsteps by providing very basic features. These are the services we looked at: blip.tv, Brightcove.tv, ClipShack, Crackle, DailyMotion, Sony eyeVio, Google Video, Megavideo, Metacafe, Motionbox, Revver, Spike (ifilm), Stage6, Veoh, Viddler, Vimeo, Yahoo Video, and YouTube. Since they are all about 80% the same, I’m not going to go through each of them one-by-one at length. However, there are some overall trends that ought to be pointed out, as well as some key differentiators. To get into the details as to how all of these websites differ, check out the comparison chart we’ve provided above. You’ll notice that there are some gaps, so please email me if you can help us fill in the holes. First of all, only YouTube, DailyMotion, and Metacafe appear to place any hard restrictions on video length. With the rest, video lengths are determined indirectly by file size restrictions. While YouTube and several of these sites place the file size cap at 100mb per upload, others place it higher at 250mb, 500mb, or 2000mb. Veoh places no limitations on file size, but they recommend you use their desktop player for files over 100mb. If you’re willing to fork over some cash for a premium membership, Brightcove.tv and Motionbox will also let you upload files of any size. While YouTube allows users to upload files only formatted → Read More

    September 27th, 2007

    Deca.TV: VCs Invest New Media Production House

    Mayfiled, General Catalyst Partners, and Atomico Investments have put $5 million into Deca.tv, a newly launched production house for mainstream digital entertainment. Deca was started by Michael Wayne and Chris Kimbell, both from Sony Pictures. The company will be putting the investment into finding and financing novel digital entertainment web properties. Deca, however, will not serve as a destination for these properties, but rather invest in them and distribute them through their partner’s channels. They’re being rather tight lipped about what properties they will focus their money on, but they will be announcing their first 3 projects soon. Web video shows are definitely in the cards, with non-video properties on the horizon as well. The model is indicative of how the web is changing the production of entertainment. As Allen Morgan of Mayfield notes, “The separation between content, the audience, and the advertiser has now completely disintegrated”. Studios now have the ability to access and filter through more talent better than ever before, case in point, Crackle’s user generated web shows. The internet’s “fame machine” is getting better, and we’re all sure to benefit. → Read More

    July 19th, 2007

    Crackle Coverage Continued, With More Kung Fu

    Crackle’s eating some of their own dog food since launch to produce this corporate viral video. This is the second in their Kung Fu series where grouper takes on the competition, with a noticeably higher production value. I don’t know what it is about working at Grouper that breeds a love of kung fu films (see their previous video), but the ending may be more justified with Sony’s backing. There’s a more serious version available here. http://www.grouper.com/p/Funny/Crackle_Presents….swf From Crackle: Crackle Presents… → Read More

    July 16th, 2007

    Grouper Goes Hollywood

    Grouper’s completely scrapping their old site and being reborn as Crackle. The new site aims to discover the top online video talent for their parent company, Sony, by offering producers the chance at fame and fortune. All the old Grouper accounts will be transferred to Crackle. The new property will be a destination video site, consisting of 12 branded channels for different show concepts such as comedy, music news, and animation. The site consists of a channel guide and high quality 16 x 9 embeddable video player. Advertisers will be able to place 5 to 15 second ads between the videos and banner units on the site. Crackle’s Branded Channels Crackle will seed the channels 1000 of their own professionally produced videos. They will add the top user generated content following the channel’s show concept (comedy, music, etc.) as selected by the community and their team of editors. In return, Crackle will reward the producers in varying degrees, ranging from revenue shares to mid seven figure production deals. All winners will recieve distribution across Sony’s network of hardware and film properties. Sony’s distribution network and 60 person advertising team really pushes this open studio model beyond anything other video startups can currently offer. The site is launching with 4 of the 12 user supported channels. Judgment Day is a channel where the hosts will “judge” other people in the public and then find out if their judgments are right. Scrambler is a video music magazine for indie rock. High Wire is a virtual stage for stand up comedy. Wet Paint is an animation channel. They also have a channel devoted to America’s Firehouses, whose content will be paired with Sony’s “Rescue Me” series. Finally, Moving Targets is a sketch variety channel coming soon. Rewarding Producers Crackle will allow users to climb the “fame pyramid” as pictured on the right. Anyone will be able to submit a video to the channels, which will be put into a general video library. Viewers will vote for the best videos and during contest periods for special deals, the two top user selected videos will join the editors picks to be chosen for production deals. The possible rewards for producers will vary based on the channel. All the chosen content will be distributed across their network of embedded video players, along with Sony PSP, Bravia, and Sony Vaio. Crackle claims an audience of 25 million → Read More

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    Optimizely — Received Series A funding from Battery Ventures, Google Ventures, and InterWest Partners
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    Facebook — Went public with stock symbol NASDAQ:FB.
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    Bolt | Peters — Acquired by Facebook for $50M.
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    ServerOrigin — Acquired by Black Lotus.
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    Optimizely — Received Series A funding from Battery Ventures, Google Ventures, and InterWest Partners
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    Draker — Received $475k in Debt funding
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    smartDIGITAL — Received $2.7M in Series A funding from Advantage Capital Partners
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    AudioCure Pharma — Received Seed funding from High-Tech Gruenderfonds and Dr. Schumacher
    5.29.2012
    InterWest Partners — Invested in Optimizely.
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    Google Ventures — Invested in Optimizely.
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