Fullscreen targets the YouTube generation with new streaming service launching in April

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Sorry Sunrise, I’m switching to Fantastical

Fullscreen, a media company whose creators’ videos reach 600 million subscribers across YouTube and other social networks, today announced the launch date and details regarding its subscription video-on-demand service for mobile devices. The company had previously confirmed its plans to establish itself as a consumer-facing brand last fall, but now says it will officially debut its ad-free service on April 26th. Fullscreen will be available online, as well as via iOS and Android, and it will support Chromecast, the company says.

The new service will play in the same larger market as other streaming players, like Netflix, YouTube Red, Hulu, Amazon and others, but will differentiate itself primarily through its focus on the younger demographic – meaning millennials and Generation Z.

These viewers have grown up watching “TV” and movies on their mobile devices, and are used to interacting with creators through social media.

However, they’re not exactly used to paying for access to this video content – an obstacle that many companies today are hoping to overcome. For example, YouTube’s subscription service Red is offering a premium, ad-free experience, with offline access, music and some original programming.

Meanwhile, according to Fullscreen CEO George Strompolos, he sees the new app as having the chance to establish itself as the HBO of the creator-driven video market. Or perhaps, the MTV for the mobile generation.

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Hannah Kasulka as Meegan Bishop and Max Carver as Chaad Bishop in ‘Filthy Preppy Teen$

“If you were to relaunch a network like MTV today, how would you do it? You would probably do it in an over-the-top environment,” he begins. “You would probably do it with the new generation of creators who have captured the hearts and minds of the youth, and you would probably deliver it in a mobile-first experience,” Strompolos continues. “And that’s what we put together.”

Fullscreen, by way of background, has been in the creator business for over five years. Today its network includes 75,000 creators who, combined, see more than 5 billion video views across YouTube and other networks every month. The company works with a range of artists, from those just starting out to bigger names, like Grace Helbig, The Fine Bros., filmmaker Devin SuperTramp, Andrea Russett and Jack and Jack. 

But the larger audience of viewers doesn’t know about Fullscreen, or how it works behind-the-scenes to help creators produce, distribute, and measure their videos, or use other tools to help them with things like rights management, content licensing and more. The launch of the new SVOD product is an effort to put Fullscreen’s name in front of viewers, and get them to associate some of social media’s top stars with this subscription offering.

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Grace Helbig as Electra Woman and Hannah Hart as Dyna Girl in ‘Electra Woman & Dyna Girl’; 

To that end, the app will feature exclusive creator-driven content, along with a library of TV shows and movies licensed from Hollywood studios. The idea is to offer a curated selection which younger viewers will be drawn to, including programs like “Dawson’s Creek,” “Saved by the Bell,” “Suburgatory,” “Daria,” “Happy Endings,” and films like “Cruel Intentions,” “Can’t Hardly Wait,” “Summer Forever,” “Man Up, “Camp Takota,” and “Elliot Morgan: Premature.”

But the bigger focus is on exclusive shows. The idea is not to compete with the creators’ own efforts on YouTube, where their videos are monetized through advertising or, now, YouTube Red subscriptions, but to instead offer series and movies that are unique to Fullscreen.

To make this possible, the company is playing the role of matchmaker across its network to connect on-screen and behind-the-screen talent to produce new scripted and unscripted shows. (See below for descriptions).

A Sneak Peek At the App 

In development for over a year, and rumored well ahead of its official unveiling, Fullscreen’s SVOD service hopes to attract an audience not only because of its talent, but also because of how its product is built.

Built in-house by the team from Viddy, a company Fullscreen acquired back in 2014, the app will introduce several features that differentiate it from services like Netflix. For example, it will function as part social network, where users can create content themselves by chatting about the shows, making and sharing GIFs and customizable screencaps, and more. This content can then be shared out to other social networks, the CEO notes. (The company is not offering demos at this time.)

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When the app debuts on April 26th, it will be available on iOS (iPhone, iPad) and Android, and will support Chromecast for watching via a television. Other consoles will be supported in the future, we’re told.

Strategic partner AT&T (via the Otter Media investment) is also working with Fullscreen on the production side, as it will co-produce premium content for the service, and will help to market and distribute the app to its own subscribers. This may involve discounts and other special offers, and it will involve a Fullscreen programming block on AT&T’s Audience Network, available to DIRECTV and U-verse TV subscribers.

The Lineup

In total, there will be over 800 hours of content available when the app debuts, and over 90% of it will be originals. A free 30-day trial will be offered to new subscribers.

 

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At launch, this list includes these scripted series:

  • “Electra Woman & Dyna Girl,” a comedic Sid and Marty Krofft reboot starring Grace Helbig and Hannah Hart
  • “Filthy Preppy Teen$,” from Paul Scheer (“Party Over Here,” “Fresh off the Boat”), Abominable Pictures and Jonathan Stern (“Childrens Hospital,” “Wet Hot American Summer: First Day of Camp”), a satire of contemporary teenage dramas
  • “Jack & Dean of All Trades,” a workplace comedy starring and created by Jack Howard and Dean Dobbs
  • “Making Moves,” a dance dramedy from executive producers John Swetnam (“Step Up All In”), Amy Kim (“Sequestered”) and Jaime Burke (“Sequestered”); and Cameron Dallas and Nash Grier’s iTunes-chart-topping film “The Outfield.”

Unscripted series include:

  • “My Selfie Life,” created and executive produced by John Farrar (“Man v. Viral”) and Pete Cooksley (“Find My First Love”);
  • “Shane & Friends,” a show where Shane and Jess dish about pop culture, play ridiculous games and ultimately, dig deep into the lives of their celebrity guests,
  • “Zall Good with Alexis G. Zall,” Alexis G. Zall interviews fascinating young people who do extraordinary things
  • “Kingdom Geek,” an unhinged and geeked-out throw-down of pop culture.