Keen On… Piracy: How Online Ad Networks Are Supporting The Major Pirate Movie And Music Sites [TCTV]

Andrew Keen

Andrew Keen is an Anglo-American entrepreneur, writer, broadcaster and public speaker. He is the author of the international hit “Cult of the Amateur: How the Internet is Killing our Culture” which has been published in 17 different languages and was short-listed for the Higham’s Business Technology Book of the Year award. As a pioneering Silicon Valley based Internet entrepreneur,... → Learn More

Thursday, January 3rd, 2013

Online piracy just won’t seem to go away. A disturbing report released today by the University of South California’s Annenberg Innovation Lab demonstrates the economic connection between the online advertising industry and pirated film, music and video content. This Advertising Transparency Report [pdf], which reveals the top ten ad networks which place the most online ads on pirate sites, has Google at #2 and Yahoo at #6 in its hall of shame. “This is where the money is,” Jonathan Taplin, the Director of the Annenberg Innovation Lab, told me about the placing on ads on pirate networks like Kim Dotcom’s Megaupload, when we spoke today. “It adds up to millions of dollars,” Taplin, who was once tour manager for Bob Dylan and produced Martin Scorsese’s first movie Mean Streets, told me. And it’s the movie makers and musicians, Taplin explained, who are the real victims of this situation because they aren’t seeing any of the revenue from the ads placed around their stolen content.

But what to do? Taplin noted that this report – the first in a monthly series put out by his Innovation Lab – hasn’t “called out” the brands who are, perhaps unconsciously, creating this problem by buying space on pirate sites. So Annenberg’s Advertising Transparency Report should be seen as a wake-up call to brands to invest their advertising dollars in legal networks like Spotify or YouTube rather than pirate sites. Pretty simple, eh? Let’s hope that Madison Avenue wakes up to the troubling implications of Taplin’s report and shifts all its online advertising dollars to movie and music sites which actually pay artists for their content.


Person: Jonathan Taplin
Website: www-bcf.usc.edu
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Jonathan Taplin is a Professor at the Annenberg School for Communication at the University of Southern California and Director of the USC Annenberg Innovation Lab. His areas of specialization are in International Communication Management and the field of digital media entertainment. Taplin began his entertainment career in 1969 as Tour Manager for Bob Dylan and The Band. In 1973 he produced Martin Scorsese’s first feature film, Mean Streets, which was selected for the Cannes Film Festival. Between 1974 and 1996,...

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