RED updates its lineup, throws a bone to current RED owners

A relatively large announcement went live earlier today from RED, which as you’ll remember, made big promises for digital cinema a while ago — with equally big (and vague) timeframes. Today was a minor solidification of those timeframes, but many RED users were expecting solid shipping dates, and those didn’t happen. Instead, a change in strategy was announced, and a few brave RED owners will participate in an intensive beta program with the pre-production camera, dubbed “Tattoo.” After that, the S35, as it will be called in production, will see a wide simultaneous release, hopefully with some bugs squashed.

The various “stages” amount to:
$28k: buy Tattoo, be in hardcore beta program, get Jim Jannard’s cell number.
$19.5k: buy S35, keep your RED ONE
$10.5k: buy S35, trade in your RED ONE
$28k: buy S35 (you don’t own a RED ONE)

Here is the revised spec list. Of note are the internal motion sensor (good for recording metadata for adding effects later), GPS sensor, and a touchscreen electronic viewfinder (good for adjusting settings, but it also supports… touch focus tracking? -that’s not what I think it is, is it?):

New MYSTERIUM-X 5K sensor
5K (2:1) at 1-100fps
4K (2:1) at 1-125fps
Quad HD at 1-120fps
3K (2:1) at 1-160fps
2K (2:1) at 1-250fps
1080P (scaled from full frame) at 1-60fps
Increased Dynamic Range, reduced noise
Time Lapse, Frame Ramping
REDCODE 250
ISO 200-8000
New FLUT Color Science

Completely Modular System, each Module individually upgradeable
Independent Stills and Motion Modes (both record full resolution REDCODE RAW)
5 Axis Adjustable Sensor Plate
Multiple Recording Media Options (Compact Flash, 1.8” SSD, RED Drives, RED RAM)
Wireless REDMOTE control
Touchscreen LCD control option
Bomb-EVF, RED-EVF and RED-LCD compatible
Multiple User Control Buttons
Interchangeable Lens mounts including focus and iris control of electronic RED, Canon and Nikon lenses (along with Zoom data)
“Touch Focus Tracking” with electronic lens mounts and RED Touchscreen LCDs
LDS and /i Data enabled PL Mount
Rollover Battery Power
Independent LUTs on Monitor Outputs
Independent Frame Guides and Menu overlays on Monitor Outputs
Monitor Ports support both LCD and EVF
True Shutter Sync In/Out and Strobe Sync Out
720P, 1080P and 2K monitoring support
Gigagbit Network interface and 802.11 Wireless interface
3 Axis internal motion sensor, built in GPS receiver
Enhanced Metadata
Full size connectors on Pro I/O Module. AES Digital Audio input, single and dual link HD-SDI
Support for RED, most Arri 19mm, Studio 15mm, 15mm Lite, Panavision and NATO accessories

Dimensions- Approx. 4”x4”x5.5”
Weight (Brain only)- Approx. 6 lbs (2.72kg)

Jim also posted an actual picture of a brain with grips attached still-camera-style, with a Canon EF mount. Whether they’ll actually be able to take a bite out of established still camera makers is questionable, but we’ll see.

The Scarlet also gets an update, a response to serious encroachments by cameras like the 7D. Much better audio capability, increased bitrates and color accuracy, 1080p at 60FPS, and a touchscreen LCD among other things. No word on pricing or how these changes might affect it, but it’s still going to be a professional camera, not a consumer or even prosumer one, so expect it to be at least $3000.

Read the whole thread here; they’re still updating and adding pictures (they’ve added two since I started this post).