You know, to be honest, I could probably get a less fluffy account of shooting on a RED ONE from my friend Mike, who has been shooting on RED for quite a long time now. But he can’t write, and I’m lazy, so in the meantime we have a pretty solid article here that describes the experience of shooting in 4K, the trouble they had, some of the strengths and limitations, and so on.
Since RED is in the process of revamping the prosumer-level Scarlet, knowledge of Redcode and the workflow may actually be relevant to some of us peons soon.
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